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In this success story, we are going to share Coco Chanel biography, a very talented and creative fashion designer who changed the world of fashion. The story will captivate you from the first lines. Enjoy reading Coco Chanel life story on AstrumPeople.

Coco Chanel (1883 – 1971) is an outstanding French fashion designer, creator of the fashion empire of the XX century. She is the founder of The House of Chanel. Her net worth is $15 billion. Her real name is Gabrielle Chanel.

“Fashion is what one wears oneself. What is unfashionable is what other people wear”, this is the famous quotation from Oscar Wilde. It was disproved by Coco Chanel in the mid-20s of the previous century who stated that fashion was the “little black dress”. Her authority was so great that women from different social classes unhesitatingly were wearing Chanel clothing.

Early Life, Career and First Love

We know very little about the childhood of Gabrielle Bonheur Chanel. Gabrielle was born on August 19, 1883, in Saumur, France in the family of fair trader Albert Chanel and his girlfriend Eugénie Jeanne Devolle. He married Jeanne Devolle several years after Coco Chanel was born. They did not have a permanent place to live. If things went well, they allowed themselves to have a primitive farm and settled down in some old abandoned shack, which people tried to get round. Her mother was a laundrywoman, in the charity hospital owned by the Sisters of Providence and her father was a street vendor who sold haberdashery goods on the street market.

The legendary Mademoiselle Chanel had been shy of her miserable childhood all her life. She was afraid that reporters could find out about her extramarital origins, her mother’s death from bronchitis at the age of 31 or about her father who simply gave up having passed Gabrielle in a shelter at the age of 12. Coco Chanel even invented her story that when her mother died, her father sailed for America, and she lived in a cozy and clean house with two strict aunts, who in reality did not exist.

Having learned sewing arts during her six years at Aubazine shelter, Coco Chanel was able to find a job as a seamstress. When not plying her trade with a needle and thread, she was singing in a cabaret “La Rotonde” frequented by cavalry officers. There Gabrielle acquired her nickname “Coco”. It is derived from the famous song “Qui Qu’a Vu Coco?” that she used to sing.

Caricature of Boy Capel dancing with Coco Chanel

In her early twenties, Coco Chanel concluded that the main thing in life was money. In 1905, when a young and wealthy bourgeois Étienne Balsan came into her life, Coco Chanel hung around his neck. In her eyes, he was the real man, who had money and was able to spend them easily. When she settled in the castle of her lover, Coco took full advantages of her new life. She was lying in bed until noon, drinking coffee with milk and reading cheap novels. However, Étienne did not think Coco was the woman, which was worth spending big money on.

In the spring of 1908, Coco Chanel met with a friend of Balsan Captain, Arthur Edward “Boy” Capel CBE, an English polo player with a straight black hair and a dull complexion. Arthur Capel advised Coco to open a vending hat shop and promised her financial support. Later on, he will become her partner in business and personal life.

Coco Chanel and Étienne Balsan

However, she was obliged to Étienne Balsan, who helped to start her career. Étienne wanted to involve his bothered girlfriend into any matter that under the pretext to evict her from his castle. Coco settled in his bachelor apartment on the Malesherbes Boulevard in Paris where he usually had fun with his girlfriends. It was the place where Coco began making and selling her hats. An interesting fact is that all the former mistresses of Étienne became the first clients of Mademoiselle Chanel. They also expanded the range of her clients to their friends. Things went very well, and soon this bachelor apartment became too small.

The First Glory of Chanel

Coco Chanel and Boy Capel, 1912.

At the end of 1910, Coco Chanel finally broke up with Étienne Balsan and began to live with Captain “Boy” Capel. In 1910, Coco became a licensed modiste (hat maker) and opened a boutique named Chanel Modes on 21 Rue Cambon in Paris. Soon the street became known throughout the world and had been linked to her name for half a century.

In 1913, Coco Chanel opened her boutique in Deauville that quickly attracted regular clients. The creator of the famous hats dreamt of developing her own line of women’s clothing. At this time, she had no right to make a ‘real’ women’s dresses, as she could be brought to justice for illegal competition because she was not a licensed dressmaker. Coco found the solution. She started sewing dresses of jersey fabric, which had been only used for men’s underwear and earned her first capital on it. Coco Chanel’s close family members have always been supportive. One was her sister, Antoinette Chanel and her aunt, Adrienne Chanel. Both of the girls Coco recruited to model Chanel’s designs and advertise the Chanel fashion clothes.

Aunt Adrienne (left) and Coco Chanel (right) near “Chanel Modes” on 21 Rue Cambon in Paris.

All of her dress-discoveries were born that way. While designing Coco did not excel herself, but simplified details. She did not draw her sketches of clothing and did not sew them. Usually, Coco threw a cloth on a mannequin, then cut and slaughtered a shapeless mass of material until the desired silhouette was manifested.

Chanel quickly became the world fashion designer, turning over the spotlight. She created a style that had been previously unthinkable for women – tracksuits. She dared to appear in the sailor suit and tight skirt on the beaches of seaside resorts. The style produced by The House of Chanel was simple, practical and elegant. However, in 1914, the World War I began. There were chaos and the ‘feast during the plague’ in France. Coco continued to work vigorously, presenting new demands for clothing and generating new ideas: the first female skinny suit from Chanel. A couple of years later, she sewed a redingote without a belt and ornaments, removing the bust and curves with almost masculine stringency. She created an understated waist, dress shirt, pants for women and beach pajamas.

Despite the fact that The House of Chanel introduced the fashion women’s pants, Coco wore them quite rarely, as she believed that a woman would never look in the pants as good as a man would. However, she liked a short man’s hairstyle. The reason is simple – short hair is easier to take care of. Once Coco cut her hair and proudly walked out into the world, explaining that everything in her house caught on fire, and it burned her curls. Therefore, in 1917, a trend for short man’s hairstyle among women was prevalent. Before the Coco Chanel’s action, women had to be longhaired.

In 1919, when her beloved Arthur “Boy” Capel died in a car accident, Coco Chanel said: “Either I die as well. Or I finish what we started together.” If this tragedy had not happened in the life of Chanel, she would have never started experimenting with black cloth. Some people say that she brought black color clothes into vogue to make all women in France mourning for her beloved. Coco was not allowed to mourn officially, as she was not married to Arthur Capel.

The Birth of Chanel No. 5 Perfume

In the summer of the 1920s, Coco Chanel opened a big fashion house in Biarritz. Later on, she met with a Russian émigré, the Grand Duke Dmitri Pavlovich, and they both felt the mutual passion to each other. The romance was short but fruitful. Coco learned many new ideas from her exotic lover. How could she forget his stories about the treasures of the Muscovite tsar or the luxury of ecclesiastical vestments? Moreover, after this meeting, there were parts of the Russian folk costume shirts with original embroidery in her new collection. The most momentous is that during the road tour in France, Dmitri Pavlovich introduced Coco to a Russian perfumer, Ernest Beaux, when they stopped in Grasse town. Ernest’s father had worked for many years at the imperial court.

The meeting was fruitful for both of them. After a year of hard work and long-term experiments, Ernest placed before of Coco ten samples and divided them into two groups. The first half Ernest Beaux numbered from one through five, the second one – from twenty through twenty-four. Coco chose the sample No. 5 and when Beaux asked her why Coco Chanel replied: “I always launch my collection on the 5th day of the 5th months, so the number 5 seems to bring me luck – therefore, I will name it No. 5”.

The marketing policy of The House Of Chanel was targeted to celebrities. This choice was not accidental: in the list of clients who wore Chanel No. 5 perfume were the most beautiful women of the century. Chanel No. 5 was a favorite perfume of Jacqueline Kennedy. However unwittingly, invaluably promoted “Chanel”. Moreover, she did it free. In the early 1950s, in one of the interviews, Marilyn said that all she wore in bed was a few drops of Chanel No. 5 perfume. A few days later her statement skyrocketed sales of Chanel No. 5 perfume.

Designers spilled the golden liquid into a crystal bottle with a modest rectangular label that looked to them a peculiar solution; usually, perfume bottles had intricate shapes. As a result, the world had a ‘perfume for women that smelt like a woman’. It was the first synthetic perfume of eighty components that were not repeating the smell of a particular flower, as it had been earlier. The success experienced its creators – Chanel No. 5 is still the best-selling perfume in the world.

The Little Black Dress

By the early 20s, the world almost ended up in fighting for gender inequality. Women had a legal right to work, to vote and to make abortion, but at the same time, they lost their face. Fashion was going through a situation where due to the sad egalitarianism women’s clothing began to lose its sexiness and sophistication.

Coco Chanel got this point and successfully managed to combine incredible details in her models with revolutionary innovations and defiant femininity. She invented the famous “little black dress”, which seemed, at first, glance, artless, rustic garb and impersonal. This decisive step brought the 44-year designer worldwide fame and made her finding a symbol of elegance, luxury, and good taste.

The first models of the dresses were made of forgotten fluid crepe marocain, knee-length, straight cut with narrow sleeves to the wrists. An incredibly accurate, adjusted and revolutionary cutting length of skirts distinguished them from other ones. By the way, Coco Chanel believed that the bottom of the dress had not to be lifted above the knee because not all women could boast flawless beauty of this part of the body. Cocktail dresses that were more expensive had V-shaped notches and evening dresses had a profound neckline at the back. It was supposed to wear long strings of pearls or colored jewelry, boas, little jackets and tiny hats with such types of dresses.

The little black dress quickly became a cult clothing and acquired a status symbol. It had been often copied, redesigned and retailored. A set of companies and fashion houses still produce this dress around the world. The popularity of this dress is incredible. New interpretations of this dress appear until nowadays so that we can confidently say that this dress will never go out of style.

While exploring Coco Chanel biography, we learned that in her early 20′s, she got involved in jewelry design. The idea to mix crystals and natural stones in a single product came not only to her. However, she was the first who gave life to this idea. Coco actively communicated with the world of Parisian bohemia. She visited ballet performances, met with the artist Pablo Picasso, the famous ballet impresario Sergei Diaghilev, the composer Igor Stravinsky, the poet Pierre Reverdy and the playwright Jean Cocteau. Many famous people sought to communicate with the well-known fashion designer just out of curiosity and were surprised to find Coco intelligent, witty and original thinking woman. Once Picasso called her the most sensible woman in the world.

Not only Coco’s appearance attracted men but also her extraordinary personal qualities, strong character, and unpredictable behavior. Coco was irresistibly flirty, extremely sharp, straightforward and even cynical. She looked purposeful, confident, contented and successful woman.

Love Affair with Hugh Grosvenor

Later on, Hugh Richard Arthur Grosvenor, 2nd Duke of Westminster, GCVO, DSO (familiarly “Bendor”) came into the life of Coco Chanel. He was a British landowner and one of the richest men in the world. Their love affair had lasted for 14 years. This unusually long love affair led Coco into a different environment – the world of British aristocracy.

Coco Chanel and Hugh Grosvenor, the Duke of Westminster, at the Grand National racetrack.

From 1926 to 1930, the Duke of Westminster was her most welcomed guest. She believed all along that their love would be crowned with marriage. Coco saw the long-awaited final refuge in each of the houses where the Duke took her. They often left England and traveled on his yachts. Usually, Hugh Grosvenor invited about sixty guests on weekends in his estate. Among them, there were Winston Churchill, his wife and close friends of the Duke. They had dinners with live musical accompaniment and sometimes he even invited a theater from London.

Sir Winston Churchill did not hide his enthusiastic impressions, he admired Gabrielle “Coco” Chanel and considered her of the most intelligent, nice and very strong women, with whom he has ever had to deal with.

Randolph Churchill (left), Gabrielle “Coco” Chanel (center) and Winston Churchill (right).

The well-known politician and statesman, not in vain called attention to these personality traits of Coco Chanel such as determination, willpower, and desire for independence: they brought her to international success.

If she had given birth to the heir of the Duke, she would have become his wife. Prior to 1928, while the passion was strong in him, he was willing to marry her too. Coco was 46 years old when she began visiting doctors, but it was too late – nature opposed to her dream. The Duke of Westminster, suffered no less than his beloved woman but was forced to marry another one.

Coco Chanel’s head went back to work. The success accompanied her in all endeavors. She was in the zenith of her fame, and despite her age, (she was already over 50), men found her very attractive.

A Ten-Year Pause in Fashion Career

Coco had a love affair with Walther Friedrich Schellenberg, German SS-Brigadeführer, during the WW II.

In 1939, despite the enormous success of her fashion clothing, Coco was forced to close all her shops and the House of Fashion due to the World War II. Many designers left the country, but Coco left in Paris. In September 1944, on the initiative of the Committee on Public Morals Coco Chanel were arrested. The reason was a love affair of Gabrielle “Coco” Chanel with a Walther Friedrich Schellenberg, German SS-Brigadeführer. A few hours after her detention, she was released. Shortly after that, Coco Chanel moved to Switzerland, where she has lived for almost ten years.

After World War II, designers appeared like mushrooms after the rain in postwar France. One of them, a young fashion designer Christian Dior commented about Coco Chanel’s design: “With a black pullover and ten rows of pearls she revolutionized fashion.”

Return to the Fashion World

After the war, Christian Dior dressed up women like flowers. He dressed them in crinoline, tightened their waist and filled numerous folds on the thighs. Coco Chanel was laughing at this ‘hyper-femininity’: “Look how ridiculous these women are, wearing clothes by a man who doesn’t know women, never had one, and dreams of being one.”

When Coco Chanel returned from Switzerland to Paris, it was full of a generation of fashionistas, who were convinced that “Chanel” is a brand of perfumes. She rented a small two-room apartment at her favorite hotel Ritz in Paris.

Coco got involved in the fashion industry again. When Marlene Dietrich asked Coco Chanel, why she needed it, she explained it her that she was dying of boredom.

The first reaction of experts and press to a new collection of Coco Chanel was shock and outrage – she could not offer anything new! Alas, the critics failed to understand that this was precisely the secret of her: nothing new, only an eternal, timeless elegance. Coco took revenge for a year. The collection that failed miserably in Paris was slightly revised and shown overseas. Americans gave her an ovation. There was a triumph of the little black dress in the United States. It was an honor to a new generation of fashionable women to wear Chanel clothes and Coco herself turned into a tycoon, managing the largest fashion house in the world fashion industry.

During these years, she created the Pink Chanel suit. On November 22, 1963, when the President John F. Kennedy was assassinated his wife wore a double-breasted, strawberry pink and navy trim collared Chanel wool suit. In the 1960s, the Pink Chanel suit has become a symbol for her husband’s assassination and one of the iconic items of fashion. Many times the suit has been shamelessly copied to the last braid, to the last golden button and stitching. Nevertheless, the name of Coco Chanel is more than a suit.

Once Coco Chanel said: “Fashion fades, only style remains the same.”

The world has recognized her as the only trendsetter of the most refined elegance. The Chanel’s style concept firmly anchored in the fashion industry. The Chanel’s style means that a suit should be functional and comfortable. If a Chanel suit has buttons, they certainly should be buttoned. A Chanel suit is usually worn with low-heeled toe cross strap shoes. Chanel designed skirt below the knee with pockets where a businesswoman could put a cigarette case. By the way, the idea of wearing a bag over shoulder also belongs to Mademoiselle Coco.

Coco Chanel maintained an incredible performance until old age. New fashion ideas came to her mind even in her sleep. The secret of success of this fantastic brand lies in its roots. From the very beginning, The House of Chanel sold the art of living but not only clothing for women.

Coco Chanel could not die during a working time. She could not let this happen. On January 10, 1971, she died quietly in the hotel room of Ritz with a window view of the luxuriously decorated The House of Chanel . As of 2014, the revenue of Chanel reached $7.43 billion. When Coco Chanel died, there were found only three dresses in her wardrobe. However, they were “very stylish attires” as would have said Gabrielle “Coco” Chanel. We hope you have enjoyed exploring a complete biography of Coco Chanel – the Woman, who changed the world of fashion.


She was one of the most remarkable women of the 20th Century, but Coco Chanel"s reputation is again under scrutiny over allegations that she was a Nazi agent in World War II France.

Она была одной из самых замечательных женщин 20-го столетия, но репутация Коко Шанель вновь под вопросом: утверждают, что она была агентом нацистов во Франции в период второй мировой войны.

To millions of people around the globe Chanel stands for style, opulence and understated elegance, from haute couture worn by the few to ready-to-wear treasured by the masses. Her achievements are undeniable. Chanel"s instantly recognisable suits have been sported by stylistas from the Duchess of Windsor to Carla Bruni-Sarkozy.

Для миллионов людей по всему земному шару Шанель - это стиль, роскошь и сдержанная элегантность, будь то платья от кутюр или массовый пошив. Её достижения неоспоримы. Мгновенно узнаваемые костюмы от Шанель взяли на вооружение все стилисты от герцогини Виндзорской до Карлы Бруни-Саркози.

Jackie Kennedy was wearing a pink version when JFK was assassinated in Dallas in 1963.

На Джеки Кеннеди был такой розовый костюм, когда рядом с ней убили мужа (президента Кеннеди) в Далласе в 1963 г.

And, the "little black dress", that byword for elegant simplicity has regularly topped polls for the most iconic of all items of clothing.

А "маленькое чёрное платье", ставшее синонимом элегантной простоты, регулярно побеждает в опросах как "икона стиля" в одежде.

But there is another side to the story of Gabrielle "Coco" Chanel, and it concerns her actions in occupied France during World War II.

Но есть и другая сторона жизни Габриель "Коко" Шанель. Она касается её деятельности в оккупированной Франции в период второй мировой войны.

Like many luminaries, including the singers Edith Piaf and Maurice Chevalier, the writer Jean Cocteau and the late president Francois Mitterrand, Chanel remained in her native country following its occupation by German forces in the summer of 1940.

Как многие знаменитости, включая певицу Эдит Пиаф, певца Мориса Шевалье, писателя Жана Кокто и покойного президента Миттерана, Шанель осталась в родной стране после её оккупации немецкими войсками летом 1940 года.

And since the war"s end, rumours have abounded about the real nature of her association with the Nazis.

Когда война закончилась, было много слухов о характере её связей с нацистами.

Now according to Hal Vaughan, author of the new book, Sleeping with the Enemy, Chanel is revealed as having actually worked for German military intelligence during the war.

Being a Nazi agent was "part of her daily life" in Paris during the occupation, he says.

Он говорит, что работа нацистским агентом была частью её жизни в оккупированном Париже.

"Chanel was a consummate opportunist. The Nazis were in power, and Chanel gravitated to power. It was the story of her life.

"Шанель была в высшей степени оппортунисткой. Нацисты были у власти, а Шанель тянулась к власти. Причём всю жизнь.

Chanel didn"t believe in anything, except fashion. Chanel believed in beautiful clothes, she believed in her business and rightly so; she didn"t care about Hitler or politics or Nazism."

Шанель не верила ни во что, кроме моды. Она верила в прекрасную одежду, в свой бизнес (и не без основания); ей был безразличен Гитлер или политика, или нацизм."

Ensconced in the luxury of the Hotel Ritz, a privilege permitted to few non-Germans, Chanel, who had closed her shops in France at the outbreak of war, was in constant contact with the country"s new Nazi overlords.

Живущая в роскоши в отеле Ритц - а эту привилегию имели почти исключительно немцы - Шанель, которая с началом войны закрыла свои магазины во Франции, поддерживала постоянный контакт с новыми нацистскими хозяевами страны.

Key to the new allegations is her affair with the dashing 44-year-old German officer Baron Hans Guenther von Dincklage who, Vaughan says, "has been treated by every biographer as a kind of playboy tennis man".

Обвинения против неё основаны на любовном романе с бравым 44-летним немецким офицером бароном Г.Г. фон Динклаге, который, по словам Воэна, "всеми биографами описывается как теннисист-плейбой".

He wasn"t. He was a professional Abwehr officer, who had been operating in France since the late 1920s.

Плейбоем он не был. Это был профессиональный офицер абвера (немецкая военная разведка), работавший во Франции ещё с 1920-х годов.

"He manipulated Chanel, and Chanel manipulated him."

"Он манипулировал Шанель, а Шанель манипулировала им."

It was von Dincklage who arranged the 57-year-old Chanel"s stay in the Ritz and who managed her business relations with the occupation authorities.

Именно фон Динклаге устроил для 57-летней Шанель проживание в отеле Ритц и ведал её деловыми отношениями с оккупационными властями.

In return, Vaughan says, the Abwehr signed Chanel up as Agent F-7124, codenamed "Westminster" after a former lover, the second duke.

А за это, по словам Воэна, Шанель стала агентом абвера F-7124 под кличкой "Вестминстер" в честь её бывшего любовника (второго герцога Вестминстерского).

In a gavotte-like relationship, the feisty Chanel manoeuvred for the release of her nephew, Andre Palasse, from a prisoner-of-war camp in Germany.

В этой замысловатой игре упрямая Шанель добивалась освобождения своего племянника Андре Палассе из лагеря военнопленных в Германии.

Beyond this, the Abwehr dangled before her the enticing prospect of taking control of the highly profitable Chanel perfume business, which she had licensed to the Jewish Wertheimer brothers in 1924.

Кроме того, абвер манил её перспективой вернуть очень прибыльный парфюмерный бизнес Шанель, лицензию на который она продала в 1924 году братьям Вертхаймерам, евреям.

Indeed, she did make a claim to the company under Nazi "Aryanisation" laws, not realising that the Wertheimers, by then safely in the United States, had handed control of the firm to a Christian.

И действительно, она заявила претензии на эту компанию по нацистским законам об "арианизации", не зная о том, что братья Вертхаймеры (к тому времени проживавшие в США) передали управление фирмой человеку христианского вероисповедания.

Murky motives Неясные мотивы

While agreeing that Vaughan"s book adds some new detail to Chanel"s war years, the writer Justine Picardie, whose biography, Coco Chanel: The Legend and the Life, was published last year, believes that Chanel"s motives were "a bit more subtle and nuanced".

Соглашаясь с тем, что книга Воэна содержит новые детали военных лет Шанель, писательница Юстин Пикарди, автор биографии "Коко Шанель: легенда и жизнь", опубликованной в прошлом году, считает, что мотивы Шанель имели "тонкие нюансы".

"Everything she did was a paradox. She was so contradictory. On the one hand, she did make anti-Semitic remarks. But then some of her best clients were Jewish, like the Rothschilds, and indeed her business partner was Jewish, and he continued to be her business partner after the war."

"Всё, что она делала - это парадокс. Она была противоречивой личностью. С одной стороны, она допускала антисемитские замечания. Но с другой, среди её лучших клиентов были евреи, например Ротшильды, и её партнёр по бизнесу был евреем, и остался партнёром после войны".

But what did Chanel really do as an agent? Well, after having been promised that her nephew would be released, it seems that she travelled to Madrid in August 1941 with the special dispensation of the Germans, in order to use her contacts to gain political intelligence.

Что же Шанель на самом деле сделала в качестве агента? Получив обещание, что её племянник будет освобождён, она, по-видимому, уехала в Мадрид в августе 1941 года по указанию немцев, чтобы использовать свои контакты для политической разведки.

According to a document cited by Vaughan, though, this visit only saw her exchanging banalities with a British diplomat who reported that: "the Germans cannot understand the French and this is making them hate them to the point that she, Mlle Chanel, is afraid of what will happen."

Однако Воэн ссылается на документ, из которого видно, что дело не пошло дальше банальных бесед с британским дипломатом, который о них докладывал так: "Немцы совершенно не могут понять французов и начинают их ненавидеть настолько, что мадемуазель Шанель страшится за последствия".

Vaughan readily accepts that Chanel was never a spy. "Espionage ­- you take photographs, you take documents.­ Chanel never did that," he says.

Воэн готов согласиться, что Шанель никогда не была шпионкой. "Шпионаж - это фотографии, документы. Шанель этим никогда не занималась", - говорит он.

"She was a facilitator. She knew everybody in Spain, she knew everybody in England, and she helped out the Nazis." At the war"s end Chanel, who fled to Switzerland, was spared from being tried as a collaborator. Vaughan says due to Churchill"s intervention, others say because of the British royal family.

"Она была пособницей. Она всех знала в Испании, в Англии и помогала нацистам". В конце войны Шанель бежала в Швейцарию, избежала суда за сотрудничество с немцами. По словам Воэна, из-за вмешательства Черчилля. Другие считают, что благодаря британской королевской семье.

Returning to Paris in 1954, her re-establishment in the couture business was financed by none other than Pierre Wertheimer, one of the men she had sought to dispossess during the war.

После возвращения в Париж в 1954 году она воссоздала свой бизнес с финансовой помощью не кого иного, как Пьера Вертхаймера, которого она пыталась лишить бизнеса во время войны.

Coco Chanel died, aged 87 in January 1971, appropriately enough in her wartime home, the Hotel Ritz in Paris.

Коко Шанель умерла в январе 1971 года в возрасте 87 лет - где бы вы думали? - всё в том же отеле Ритц, где жила во время войны.

War and conflict always reveals the survival instinct. Coco Chanel, who had risen from a Catholic orphanage to become the mistress of all she surveyed, was a born survivor.

Война и конфликты всегда обостряют инстинкт самосохранения. Коко Шанель, выросшая в католическом сиротском приюте и ставшая хозяйкой всего, на что падал её цепкий взгляд, была рождена, чтобы выжить.

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Coco Chanel (19.08.1883 – 10.01.1971) - French fashion designer.

Coco Chanel (Gabrielle Bonheur) was a prominent French designer of clothes. She was born on August the 19th, 1883 in Saumur. Her mother died when she was hardly twelve. Her father didn’t want to take responsibility for five children and they were sent to the shelter for the poor. When Gabrielle was 18, she got a job of a shop-assistant at one clothing store. She spent her free time singing in cabarets. The song she often sang was called “Qui qu"a vu Coco”, which is why people started calling her Coco. Although she didn’t become a successful singer, she was noticed by one of the wealthy retired officers - Etienne Balsan.

He was fascinated by her performances and invited her to live in his Parisian house. At first, she liked living in a new, richly decorated house. However, it was difficult for her to get used to the status of a mistress. She spent years trying to understand what she actually wanted in life. Soon, she told Balsan that she wanted to become a milliner, but he only laughed at her idea. He said that there were so many milliners in Paris and Coco didn’t even have experience. Later, another man appeared in her life. It was Balsan’s English friend - Arthur Capel, also known as “Boy”. Since then, her life had radically changed. Arthur was a successful businessman with excellent entrepreneurial skills. He encouraged Coco to develop her idea and helped her to open her first store of ladies’ hats in Paris in 1910.

Three years later she opened a boutique in Deauville. From now on, she was a real businesswoman. Nothing could stop her neither the lack of experience, nor the First World War. She was an entrepreneur and a designer at the same time, creating her own elegant style. She became quickly recognizable among the famous ladies of Paris. Chanel became the first tailor who was the part of high society. She completely changed public opinion on designer’s labor. After the announcement of the Second World War, she closed all her showrooms as she understood that it was the wrong time for fashion. In 1944, she was arrested for a while because of the rumors about her affair with a German officer. After that she moved to Switzerland where she spent the next ten years.

Chanel’s glory was gradually disappearing, as the post-war fashion was mainly in the hands of Balenciaga and Dior houses. However, in 1953 she re-opened her salon in Paris and a year later she established her own fashion house. There was lots of criticizing in local newspapers, but she ignored them. All she needed was three years to restore her fame. Thus, a 70-year-old woman again changed the whole idea of fashion, making her style dominant. The great milliner died in 1971 at the Ritz Hotel in Paris. Her style is still considered to be the most elegant in the history of fashion.

Лучшие - образцы мудрости и остроумия.

  • Fashion is not something that exists in dresses only. Fashion is in the sky, in the street, fashion has to do with ideas, the way we live, what is happening.
    Мода существует не только в платьях. Она существует в небе, на улице. Мода связана с идеями, образом жизни, происходящими событиями.
  • A girl should be two things: classy and fabulous.
    Девушке нужны два качества: она должна быть стильной и потрясающей (фантастической).
  • I don’t care what you think about me. I don’t think about you at all.
    Мне всё равно, что вы думаете обо мне. Я о вас не думаю вообще.
  • There is no time for cut-and-dried monotony. There is time for work. And time for love. That leaves no other time.
    Для сухой монотонности просто нет времени. Есть время для работы - и есть время для любви. Ни на что другое времени нет.
  • I wanted to give a woman comfortable clothes that would flow with her body. A woman is closest to being naked when she is well-dressed.
    Я хотела дать женщине удобную одежду, облегающую её тело. Женщина ближе всего к обнажённости, когда она хорошо одета.
  • Fashion is architecture: It is a matter of proportions.
    Мода - это архитектура: она вся зависит от пропорций.
  • There are people who have money and people who are rich.
    Есть люди, которые имеют деньги, а есть люди, которые богаты.
  • Luxury must be comfortable, otherwise it is not luxury.
    Роскошь должна быть удобной, иначе это не роскошь.
  • Fashion has become a joke. The designers have forgotten that there are women inside the dresses. Most women dress for men and want to be admired. But they must also be able to move, to get into a car without bursting their seams! Clothes must have a natural shape.
    Мода превратилась в шутку. Модельеры забыли, что внутри платьев находятся женщины. Большинство женщин одеваются для мужчин и хотят их восхищать. Но ведь ещё надо двигаться, надо сесть в машину так, чтобы не лопнули швы! Одежда должна иметь естественные формы.
  • Fashion is always of the time in which you live. It is not something standing alone. But the grand problem, the most important problem, is to rejuvenate women. To make women look young. Then their outlook changes. They feel more joyous.
    Мода всегда соответствует тому времени, в котором вы живете. Она неотделима от него. Но самая большая проблема, самая важная проблема - это омолодить женщин. Сделать так, чтобы женщины выглядели молодо. Тогда их мировоззрение меняется. Они чувствуют себя более счастливыми.
  • Don"t spend time beating on a wall, hoping to transform it into a door.
    Не тратьте время на то, чтобы стучаться об стену, надеясь превратить её в дверь.
  • Success is often achieved by those who don"t know that failure is inevitable.
    Успех часто приходит к тем, кто не знает о том, что неудача неизбежна.
  • Great loves too must be endured.
    Всякую большую любовь тоже надо уметь вынести (пережить).
  • Since everything is in our heads, we had better not lose them.
    Так как всё находится у нас в головах, то нам лучше не терять их.
  • In order to be irreplaceable one must always be different.
    Чтобы быть незаменимой, надо всегда быть разной.
  • Elegance is not the prerogative of those who have just escaped from adolescence, but of those who have already taken possession of their future.
    Элегантность не является прерогативой тех, кто только что выскочил из подросткового возраста, но тех, кто уже завладел своим будущим.
  • A woman who doesn’t wear perfume has no future.
    Женщина, которая не пользуется духами (парфюмом), не имеет будущего.
  • Fashion fades, only style remains the same.
    Мода проходит, стиль остаётся.

Коко Шанель

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